


Charles Walter Stetson
1858-1911
Born in Tiverton, RI, Stetson began
painting about 1872 and he had determined to be a artist by 1876.
Without formal training and without the financial means to even hold a
studio continuously between 1876 and 1878, he struggled to find his
way. His talent as a “Colorist” was recognized by Bannister, Burleigh
and especially Whitaker, and they gave him encouragment in these early
years of the Providence art community.
From 1878 until about 1885, Stetson truly lived the life of a starving
artist. His early work shows the lack of drawing skill which was
recognized by him as well as his critics. He was, however, considered
to have in him, the traits of a great colorist and his paintings were
accepted into exhibitions at
the Pennsylvania Academy
and Boston Art Club, attracting much praise from prominent artists and
critics of
the time. His early work in landscape painting is moody and shows the
influence of the Barbizon style, which is surely attibuted to his
exposure to Whitaker’s work as well as by the French Barbizon paintings
collected by the Providence art dealer, Seth Vose.
He was a founding member of the Providence Art Club and was one of the
first occupants of the Fleur de Lis studios. He moved to Pasadena, CA
in 1889 and stayed a little more than a year before returning to
Providence, where he remained until the end of 1894. The years 1895 to
1900 were again spent in Pasadena, except for a trip to Europe in 1897.
The year 1900 saw Stetson open a studio in Boston and he spent the
remainder of his life between Boston, Italy and Pasadena. California
collectors claim Stetson as one of their own, but Rhode Island
collectors believe they have the stronger claim.
Through his career he exhibited at the PAC, the Pennsylvania Academy of
Fine Arts, the NY Etching Club, numerous art galleries in New York,
Boston, and California, and in 1902 he had an exhibition which traveled
to museums in St. Louis, Chicago, Detroit, Cincinnati and Worcester.
After his death a number of his paintings were exhibited at the PAC and
a Memorial Exhibition was held at the Pennsylvania Academy of Fine Art.
Other memorial exhibitions were held at the Museum of Fine Arts,
Boston, 1912, the Detroit Museum of Art, 1913, and the Metropolitan
Museum, New York, 1914
Go
Back